Postcard from Penang: Two-Time Contributor Paul W. Jacob (Jake) Shares His Current Project—Photo-Haikuism of Southeast Asia
Thirty years ago, I started out as a photo-journalist for music and travel magazines while also composing pieces for environmental activism. My writing career has taken me along many other paths since then, but I have always retained a love of photography.
When I was the writer-in-residence for the Stony Point Center in New York (2017–2018), I did a seasonal haiku/leaf printing project that was both published as a book and curated as an art show in several galleries and libraries in New Jersey and New York. This kindled in me a deep appreciation for the simplicity, depth, minimalism, and elasticity of haiku and it’s 5-7-4 syllabic structure.
Now that my wife and I live nomadically, including the last two years in Southeast Asia, I have developed a fondness for what I have coined, “Photo-Haikuism.” This allows me to integrate two spontaneous and place-oriented creative mediums into one holistic artistic synthesis.
Paul W. Jacob (Jake)
Penang, Malaysia
Fishmonger in Hoi An, Vietnam
Contemplative smoke
Infuses fish carcasses
Desiccated skin
Kapitan Keling Mosque, Georgetown, Penang, Malaysia
Bulbous minarets
Ornament overcast sky
Prayers rise to Allah
Georgetown “Shophouse” Tile Floor, Penang, Malaysia
Tile floors are songlines
Scuffed by shoes and history
Polished in monsoons
Ha Long Bay, Vietnam
We all run around
Like still photos of shipwrecks
Weathered yet composed
The Reclining Buddha, Wat Phra Chetuphon Wimon, Mangkhalaram Rajwaramahawihan, Bangkok, Thailand
Reclining Buddha
Larger than life it appears
Gazing within us