Postcard from Penang: Two-Time Contributor Paul W. Jacob (Jake) Shares His Current Project—Photo-Haikuism of Southeast Asia

Thirty years ago, I started out as a photo-journalist for music and travel magazines while also composing pieces for environmental activism. My writing career has taken me along many other paths since then, but I have always retained a love of photography. 

When I was the writer-in-residence for the Stony Point Center in New York (2017–2018), I did a seasonal haiku/leaf printing project that was both published as a book and curated as an art show in several galleries and libraries in New Jersey and New York. This kindled in me a deep appreciation for the simplicity, depth, minimalism, and elasticity of haiku and it’s 5-7-4 syllabic structure. 

Now that my wife and I live nomadically, including the last two years in Southeast Asia, I have developed a fondness for what I have coined, “Photo-Haikuism.” This allows me to integrate two spontaneous and place-oriented creative mediums into one holistic artistic synthesis. 


Paul W. Jacob (Jake)

Penang, Malaysia

 
 
 

Fishmonger in Hoi An, Vietnam

Contemplative smoke

Infuses fish carcasses

Desiccated skin

 

Kapitan Keling Mosque, Georgetown, Penang, Malaysia

Bulbous minarets

Ornament overcast sky

Prayers rise to Allah

 

Georgetown “Shophouse” Tile Floor, Penang, Malaysia

Tile floors are songlines

Scuffed by shoes and history

Polished in monsoons

 

Ha Long Bay, Vietnam

We all run around

Like still photos of shipwrecks

Weathered yet composed

 

The Reclining Buddha, Wat Phra Chetuphon Wimon, Mangkhalaram Rajwaramahawihan, Bangkok, Thailand

Reclining Buddha

Larger than life it appears

Gazing within us

 
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